A recent, brief exhibit at the Morgan Library & Museum in New York City highlighted the life and work of Wolfgang Amadeus Mozart. J.P. Morgan, the famous financier, built his library on Madison Avenue in the 19th century as a place to house, preserve, and make available to scholars Morgan’s burgeoning collection of rare books and manuscripts, among them copies of musical scores in Mozart’s hand.
“Wolfgang Amadeus Mozart: Treasures from the Mozarteum Foundation of Salzburg” included some of those scores and, thanks to the Mozarteum, several of the great man’s musical instruments, numerous portraits of Mozart, his family, and his patrons, and many letters and other documents across the span of W.A. Mozart’s all-too-brief life (1756-1791).
And once again, it got me wondering about the Catholic Mozart’s affiliation/flirtation with Freemasonry. More about that diversion from the One True Faith shortly, but first: Mozart the Catholic.
Begin with the fact that he wrote five dozen Catholic liturgical compositions, the most famous of which is the last thing he wrote: his nearly hour-long, unfinished Requiem Mass. In my opinion, however, his most beautiful work is the four-minute eucharistic hymn, Ave verum corpus (“Hail true body”), a four-part SATB, meaning the music
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